Description
Added on the 21/05/2015 17:35:17 - Copyright : Le Républicain Lorrain
The coffin of former European Commission President Jacques Delors arrives in the courtyard of Les Invalides in Paris, during a national tribute ceremony attended by French President Emmanuel Macron. IMAGES
Flags fly at half mast in front of EU buildings in Brussels to honour French and European politician Jacques Delors on the day of his national tribute in Paris. IMAGES
Le second départ dans cette Transat Jacques Vabre est imminent pour les Ocean Fifty. Après avoir été contraints de rester amarrés aux pontons de Lorient pendant près d'une semaine, les six bateaux de la catégorie vont s'élancer du large des côtes morbihannaises ce lundi 6 novembre, à 10 h 30. Les skippers ont livré leurs impressions sur ce nouveau départ dans la matinée. « On a essayé toute la semaine de ne pas sortir de la course », a ainsi expliqué Erwan Le Roux, co-skipper de Koesio avec Audrey Ogereau.Les conditions météorologiques sont aussi au cœur des préoccupations. « La météo de ce matin est moins bonne qu'hier », note Le Roux. « Au moins, on n'aura pas peur de la première vague, puisqu'on est déjà trempé », sourit Thibaut Vauchel-Camus, co-skipper de Solidaires en Peloton avec Quentin Vlamynck.
Images of the entrance of Jean-Jacques Beineix's coffin in the Church of Saint-Roch, in Paris, and arrivals of film personalities who came to pay their last respects to the French director who died on 14 January at the age of 75, after a short career which marked the 1980s and a cult film "Betty Blue" which revealed French actor Béatrice Dalle. IMAGES
Paris (France), Sep 28 (EFE) .- (Camera: Mario García Sánchez) Monks, samurai and giants enter the Quai Branly Jacques Chirac Museum in Paris this Tuesday through an exhibition that explores the mythology and practice of the Asian martial arts from classical times to pop culture.FOOTAGE FROM THE 'LAST COMBAT' EXHIBITION, AT THE QUAI BRANLY JACQUES CHIRAC MUSEUM, PARIS.SOUNDBITES FROM EXHIBITION CURATOR JULIEN ROUSSEAU AND ASIAN FILM SPECIALIST STÉPHANE DU MESNILDOT.Translations:Rousseau: "It is an exhibition that deals with the subject of martial arts, a very popular subject. Asian martial arts are now well known and are very globalized, and they go back to fiction, to the cinema of course, through figures such as Bruce Lee".Du Mesnildot: "Bruce Lee is obviously the mythical figure of martial arts. He was the one who popularized the term kung-fu. I don't think there is an actor who has had such a rich iconography as him. We can go to India, Africa, Russia Or anywhere in the world with a Bruce Lee photo and people will recognize him. So at that level I think he's comparable to Charlie Chaplin."
Cannes (France), Jul 15 (EFE / EPA) .- (Camera: Marco Álvarez) At 69, Jacques Audiard has been able to bring a breath of fresh air to the Cannes Film Festival with the youngest style film presented to date, now in the competition although with a nostalgic tone that brings it closer to the nouvelle vague with its black and white images. FOOTAGE FROM THE PRESS CONFERENCE OF THE CAST OF THE FILM "LES OLYMPIADES": JACQUES AUDIARD, (DIRECTOR AND CO-SCRIPTWRITER), ENTERS THE PRESS ROOM AND POSES BEFORE THE JOURNALISTS.SOUNDBITES FROM AUDIARDTRANSLATION "No, indeed, I wanted feminine faces, I wanted things ... Something was throbbing, something was throbbing a little. I came from making a western where there was a very important artificiality so I had to look for the opposite even though it creates a distance with black and white. But yes, they wanted to see the bodies and faces of young people " "Yes, what connects the film with modernity is its transocial, transcultural, trans-ethnic character ... I don't know how ... Truffaut could have the merchant, the fading love, but the black is not there, nor the Chinese one. And it is true that it is something quite embarrassing ". "I like working with people I don't understand. I work with Tamils. Yes, there are other things, they are other faces. In the end I think I want to work with people I don't understand. People I don't know. Yes. I know, well that's it, I don't care. I want to work with people I don't know. I want to go to them. That's what interests me and I think it's one of the functions of cinema. " "And it was also fun to make a film about young people, young adults, who are in their mid-thirties or early thirties. They have university degrees and master's degrees, I don't know. And they have little work and it is difficult for them to pay the rent. social class ... This cultivated middle class is not doing well. " "And I know what I am talking about. I have shot a lot in Paris and it is a difficult city to capture, difficult to record. It is rather low, the Haussmannian perspective is not very pleasant ... The area of Les Olympiades and around, the district XIII, it is something that has emerged, that has emerged and is magnificent. And since it is socially very mixed I think it is much more faithful to the image of a reality than other districts of Paris ". "I have the feeling of always having a lot of activity and when I finish a film it is as if when I finish it it is like a drawer that I close but another opens. And in the new one are all the frustrations ... I wanted to make a film quickly, quite quickly, cheap (with many quotes) and that's how it has been. And it may be that all this makes there is a lightness, a kind of thing that feels, that's what I was really looking for ". SOUNDBITES FROM Noémie MerlantTRANSLATION"I had a hard time finding the character at the beginning, in making a proposal to Jacques, because there was a certain depression during that first confinement and still there was to be very alive and funny. And I have never been so connected to a character either. super combative despite that loneliness, we seek to connect with ourselves, with others and with this world that goes super fast. And there is a search for our desires. And that has touched me a lot ".
|
Support : Technical 
- Content 
- Editors 
